Ballet choreographed by august bournonville biography

The following is a list of ballets by Danishballet master and choreographerAugust Bournonville (1805–1879).

63 Ballets

1829

• Acclaim to the Graces (Gratiernes Hyldning). Divertissement. Music: M.E. Caraffa, W.R. v. Gallemberg, and F. Sor. First performed on Tuesday, 01-09-1829.
• The Night ShadowLa Somnambule (Søvngængersken). Ballet in three acts based on a ballet by J. Aumer. Music: F. Herold. First performed on Monday, 21-09-1829.
• Soldier and Peasant (Soldat og Bonde). Pantomime idyll in one act. Composer and arranger: Philip Ludvig Keck. First performed on Tuesday, 13-10-1829.

1830

• Duke of Vendome PagerLes Pages du Duc de Vendôme (Hertugen af Vendômes Pager). Pantomime ballet in two acts. Music: A. Gyrowetz. First performed on Friday, 03-09-1830.
• Paul and Virginia (Paul og Virginie). Pantomime ballet in three acts. Music: Rodolphe Kreutzer. First performed on Friday, 29-10-1830.

1831

• Victor's Wedding, or The Ancestral House (A Sequel to "Soldier and Peasant") (Victors Bryllup eller Fædrene-Arnen (Fortsættelse of "Soldat og Bonde")). Ballet in one act. Music: Philip Ludvig Keck. First performed on Saturday, 23-04-1831.

1832

• Faust. Romantic ballet in three acts. Composer an

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  How the visionary Bournonvile came to develop a dancing style that would forever become the unique hallmark of Danish ballet.

  Say “ballet” in Denmark, and before long you’ll hear one name: Bournonville. The Danes pronounce it: Bonn-ville.

  That’s, of course, August Bournonville, the 19th century dancer and ballet master responsible for developing a uniquely Danish way of dancing.

  I visited Copenhagen’s Royal Theatre, home to both the Royal Danish Ballet and its School, to learn more about Bournonville from his rightful ballet heirs.

  There I met Fernando Mora, a Mexican dancer who made his career with the Royal Danish Ballet, and now teaches at the company’s School. How had he become interested in the Royal Danish Ballet? I asked.

  “Well, it all started with Bournonville.”

  Mora told me how, as a ballet student in his native Mexico, he came across the TV documentary series Dancer, presented by Peter Schaufuss, one of the 20th century’s foremost exponents of the Bournonville style.

  It was Mora’s first contact with Bournonville. It was a revelation. He was hooked.

  What is it about the Bournonville style that so fascinates and hooks dancers and audiences alike? I sought help from the experts.

  The writer and ballet critic Ebbe Mørk, says one of its most distincti

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A Look halt the Record of Bournonville and Balanchine

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