Sicktanick biography of martin luther
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Martin Luther King's Letter From Birmingham Jail - A Rhetorical Analysis
Martin Luther King's Letter From Birmingham Jail - A Rhetorical Analysis
a rhetorical analysis
In the following text, here is the color key:
Purple: the opposition's arguments
Red: use of an emotional appeal or pathos
Green: use of appeal to authority or reputation or ethos
Blue: use of an appeal to logic or logos
AUTHOR'S NOTE: This response to a published statement by eight fellow clergymen from Alabama (Bishop C. C.
J. Carpenter, Bishop Joseph A. Durick, Rabbi Hilton L. Grafman, Bishop Paul Hardin, Bishop Holan B. Harmon,
the Reverend George M. Murray. the Reverend Edward V. Ramage and the Reverend Earl Stallings) was composed
under somewhat constricting circumstance. Begun on the margins of the newspaper in which the statement appeared
while I was in jail, the letter was continued on scraps of writing paper supplied by a friendly Negro trusty, and
concluded on a pad my attorneys were eventually permitted to leave me. Although the text remains in substance
unaltered, I have indulged in the author's prerogative of polishing it for publication.
April 16,
MY DEAR FELLOW CLERGYMEN:
While confined here in the Birmingham city jail, I came across your recent statement calling my present activities
"unwise and untimely." Seldom do I pause
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Faust
Protagonist of a classic German legend
This article is about the German legendary character. For other uses, see Faust (disambiguation).
Faust (; German:[faʊ̯st]) is the protagonist of a classic German legend based on the historical Johann Georg Faust (c.&#;–). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a deal with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "Faustian" imply sacrificing spiritual values for power, knowledge, or material gain.[1]
The Faust of early books – as well as the ballads, dramas, movies, and puppet-plays which grew out of them – is irrevocably damned because he prefers human knowledge over divine knowledge: "He laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of theology, but preferred to be styled doctor of medicine".[2] Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The st