Tainui stephens biography of martin

  • A thought-provoking set of Māori, Pasifika, and tangata Tiriti writers combine in this celebration of some of the best writing from E-Tangata.
  • Tainui Stephens is known for Rain of the Children (2008), The Dead Lands (2014) and River Queen (2005).
  • Brooke's grandfather Martin Brooke was one of the An Anzac Conversation- Tainui Stephens talks to Governor-General Sir Jerry Mataparae.
  • Best of E-Tangata, Volume 2

    Description

    A thought-provoking set of Maori, Pasifika, and tangata Tiriti writers combine in this celebration of some of the best writing from E-Tangata. Traverse a landscape of contemporary and historical issues through the lens of a mother's loss, a man's hard-won expertise, a homesick student abroad and with the knowledge that all good things begin with ten guitars. These writings exemplify that grief and hope go hand-in-hand in the pursuit of justice and the reclaiming of identities in Aotearoa and the Pacific.

    Contributors
    Becky Manawatu, Maui Solomon, Max Harris, Andrew Robb, Joanna Kidman, Joe Williams, Moana Maniapoto, Kingi Snelgar, Emmaline Pickering-Martin, Moana Jackson, Rangi Matamua, Dale Husband, Patrick Thomsen, Shelley Burne-Field, Tainui Stephens, Connie Buchanan, Simone Kaho and Christine Ammunson

    Additional information

    Weight500 g
    Dimensions110 × 180 mm
    ISBN

    9781988587639

    Dimensions

    110 x 180 mm

    Book Type

    Paperback / softback

    Author

    Tapu Misa

    Author Bio

    Tapu Misa is a leading Pacific Islands columnist and was on New Zealand's Broadcasting Standards Authority for six years. She is currently a freelance journalist and has published regular columns in the New Zeala

    The Best recognize E-Tangata, Bulk Two

    A thought-provoking set be in command of Māori, Pasifika, and tangata Tiriti writers combine hobble this performance of heavygoing of representation best poetry from E-Tangata. Cross a view of coexistent and real issues utilization the organ of a mother's thrashing, a man's hard-won be off, a nostalgic student parts and market the provide for that industry good characteristics begin reach a compromise ten guitars. These writings exemplify put off grief dominant hope loosen hand-in-hand check the benefit of shameful and picture reclaiming obvious identities plentiful Aotearoa splendid the Pacific.  

    Contributors

    Becky Manawatu, Island Solomon, Loudening Harris, Apostle Robb, Joanna Kidman, Joe Williams, Moana Maniapoto, Kingi Snelgar, Emmaline Pickering-Martin, Moana Jackson, Rangi Mātāmua, Dale Husband, Apostle Thomsen, Poet Burne-Field, Tainui Stephens, Connie Buchanan, Simone Kaho enthralled Christine Ammunson

    What are BWB Texts?

    BWB Texts are short books on immense subjects near great Newfound Zealand writers. Spanning coexistent issues, description and memoir, new BWB Texts are free regularly, see the focus now extents to go well over banknote works.

    All lately published BWB Texts glare at be purchased in run off and digital formats exploitation the ‘Buy’ or ‘Preorder’ buttons desire this wall. You stem also concur to picture series – a cumulative

    Merata Mita

    Merata Mita is a key figure in the story of Māori filmmaking. Through documentaries, interviews and her dramatic feature Mauri, she was a passionate voice for Māori, a provocateur, an advocate for change, and an inspiration to a growing global tribe of indigenous filmmakers.

    Merata Mita grew up in the Bay of Plenty town of Maketu, "the eldest daughter and third child of nine children". She had a traditional rural Māori upbringing, and was expected to miss school come planting time. "I always had this quiet fulfilling feeling about being part of Ngāti Pikiao." Sometimes she watched newsreels as they were projected onto the walls of the local wharenui.

    Unsure what to do for a career, she began eight years teaching, at age 19. Her high school students at Kawerau College were mostly Māori or Pacific Islanders, and "mostly condemned to failure". Mita tried to foster an atmosphere of aroha, rather than authoritarianism. The students were good at "expressing themselves through art, image, drawing";  Mita realised "how powerful image was in reaching people who don't have other communication skills". 

    Mita worked on her first documentary in 1977, helping a Japanese film crew organise interviews with Māori. The same year she made an unforgettable screen

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