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The Ultimate Guide to Audition Advice from Casting Directors
Over the years, Casting Networks has published interviews, articles, videos, livestreams and more from 200+ casting directors who have shared their stories, casting insights and audition tips with our members to help talent shine throughout the casting process. If we’ve learned nothing else from a couple hundred interviews, it’s that casting directors sincerely want you to knock your audition out of the park. These articles all have bits and pieces of their thoughts on how you can do that.
Think of it this way: The list below represents a collection of insights and advice directly from the casting directors you may find yourself working with, from your initial self tape all the way through booking a role. Wouldn’t it be useful to know as much as possible about them and what they like to see?
If you found yourself nodding in agreement, then bookmark this page – this list is for you. We can’t guarantee that the casting director or team you need to impress will be on this list, but if they are? Think of their words as your personal gold mine and start digging in.
This page was last updated on 2/14/25.
Casting directors in alphabetical order:
Jump to: A | B | C | D | E | F | G |
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Lucinda Syson
Lucinda Syson started her career as a casting director twenty-five years ago after graduating in French and Linguistics. Her training under Priscilla John began with films like “Alien 3” and “Seven Years in Tibet”. Her first film as casting director was Udayan Prasad’s “Brothers in Trouble”, and Lucinda has since worked with such filmmakers as Luc Besson (“Fifth Element”), Christopher Nolan (“Batman Begins”), Alfonso Cuarón (“Children Of Men”), receiving an Artios nomination for Matthew Vaughn’s 2010 film “Kick-Ass”. She is a member of the International Casting Directors Network and the Academy of Motion Picture Arts and Sciences.
Can you talk about your background?
Lucinda Syson: All I can say is that I was one of those people that fell in love with Film. I think that between seeing Disney films when I was a kid and then going on to “Spartacus” when I was seven, I just found a place in watching films; it was always in my heart, I suppose, and I never dreamt of being able to part of the film industry, but it happened… I was studying languages – I did French and linguistics – and I did a bit of photography and then I got the opportunity of being a runner on a film. I had a degree and I had one of those moments – I went to Shepperton Studios and I