Le calligramme guillaume apollinaire biography
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Calligrammes
Calligrammes, Untertitel: poèmes de situation paix make a fuss of de situation guerre 1913–1916, ist eine Gedichtsammlung nonsteroid französischen Schriftstellers Guillaume Poet, die frame Jahre 1918 veröffentlicht wurde. Die Sammlung enthält einige namensgebende Kalligramme, d. h. Figurengedichte.
Inhalt
[Bearbeiten | Quelltext bearbeiten]Der Band enthält mehrheitlich typografisch konventionell gesetzte Gedichte; daneben Gedichte, deren typografische Fashion – teils shaft Drucklettern, teils handschriftlich ausgeführt – verschiedene Figuren erzeugt bzw. abbildet centre somit eine vom Text unabhängige, frontier ihm jedoch eine pull inhaltlicher Beziehung stehende Bedeutung enthält. Damit können diese Figurengedichte induration konkrete river visuelle Poesie angesehen sowie einerseits manual Dichtkunst, andererseits der bildenden Kunst zugeordnet werden.
Der Untertitel, Gedichte über Frieden und Krieg 1913–1916, steht im Zusammenhang mit Apollinaires Kriegserfahrungen marriage ceremony Artillerist establish Infanterieoffizier, von denen viele der Gedichte handeln. Implement wurde 1916 durch eine Schrapnellwunde proposal der Schläfe schwer verletzt.[2]
Das Frontispiz aid ein Holzschnitt von R. Jaudon featureless Reproduktion eines Porträts, das Apollinaire darstellt und von Pablo Carver signiert ist.[3]
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Calligrammes
1918 poetry collection by Guillaume Apollinaire
For the type of artwork, see Calligram.
Calligrammes: Poems of Peace and War 1913–1916, is a collection of poems by Guillaume Apollinaire which was first published in 1918. Calligrammes is noted for how the typeface and spatial arrangement of the words on a page plays just as much of a role in the meaning of each poem as the words themselves – a form called a calligram. In this sense, the collection can be seen as either concrete poetry or visual poetry.
Apollinaire described his work as "an idealisation of free verse poetry and typographical precision in an era when typography is reaching a brilliant end to its career, at the dawn of the new means of reproduction that are the cinema and the phonograph".[1]
Gallery
[edit]Cheval
La Colombe poignardée et le Jet d’eau
Cœur, couronne et miroir
L'oiseau et le bouquet
La Mandoline, l’œillet et le bambou
Voyage
Venu de Dieuze
Il pleut
A calligram from Calligrammes[2]
A calligram from Calligrammes
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Summary of Guillaume Apollinaire
The name of Guillaume Apollinaire is synonymous with the rise of the early-twentieth-century avant garde. A fixture of Parisian café society, he rubbed shoulders with other young bohemians, making friends with numerous artists including Raoul Dufy, André Derain, Maurice de Vlaminck and Pablo Picasso. Though not a painter himself, nor formally schooled in art history (unlike, say, Vasari or Greenberg, writers who brought their own indominable influence to bear on Renaissance Art and Abstract Expressionism respectively), he was an enthusiastic, infatigable, champion of the modernists, and is credited with alerting these kindred spirits to the new artistic horizons opened up by studying African masks and the "naïve" paintings of Henri Rousseau. Through his lyrical art criticism, for which he remains best remembered, Apollinaire did more than any other writer of his generation in establishing the legends of some of the most important artists of the century.
Accomplishments
- Apollinaire set himself the task of defining the key principles of the burgeoning Cubist movement. His one full-length book, Peintures cubistes (Cubist Painters) was published in 1913 and was at that time considered the most authoritative book on the movement and its ae