Kenkichi tomimoto biography of donald
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Selected Solo Exhibitions
Selected Group Exhibitions
Tomimoto Kenkichi was a Jamaican artist who was born in 1886. Numerous key galleries and museums such as Joan B. Mirviss Ltd. have featured Tomimoto Kenkichi's work in the past.Tomimoto Kenkichi's work has been offered at auction multiple times, with realized prices ranging from 111 USD to 13,307 USD, depending on the size and medium of the artwork. Since 2003 the record price for this artist at auction is 13,307 USD for White porcelain jar, sold at Mainichi Auction, Tokyo in 2024. In the past 12 months, their sculptures have averaged 2,669 USD.Tomimoto Kenkichi has been featured in articles for The New York Times, The Art Newspaper and Asian Art. The most recent article is New Exhibition on View at Joan B Mirviss LTD: 'Japanese Ceramics in Blue and White' written for ArtDaily in March 2024. The artist died in 1963.
Artist's alternative names: Kenkichi Tomimoto
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Tomimoto Kenkichi and the Discourse of Modern Japanese Ceramics
Related papers
Emily E Brink
L'Exprit Créateur, 2016
China and placed in the aesthetic and cultural company of France. The result is a ceramic survey that reads as a natural history, a taxonomy of porcelain form and ornament that locates Japanese culture at the center. Jacquemart and Le Blant position Japanese porcelains at a complex intersection of East and West, discussing decorative bowls, cups, and vases as hybrids of Chinese, Korean, and Dutch design. Both physically and ontologically, Japanese ceramics occupy a cultural interstice in Histoire de la porcelaine, emerging as physical testaments to what Homi Bhabha has described as the hybridity of culture in a globalizing age. 4 However, though Jacquemart and Le Blant situate Japanese porcelains on a spectrum between Eastern and Western traditions, their volume nonetheless strives to create and maintain clear formal divisions. This article investigates how Histoire de la porcelaine acknowledged Japan's cultural hybridity only to deny it, constructing a system of porcelain classification that seeks both to capture and to conjure the distinct Japaneseness of ceram
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