Jenderal soedirman biography of william shakespeare
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Persistent and Autonomous Society Silhouette in Twain’s The Guy Who Vitiated Hadleyburg
Jurnal Ilmiah Lingua Idea (e-ISSN: 2580-1066 | p-ISSN: 2086-1877) is publicized by Capability of Arts, Universitas Jenderal Soedirman (UNSOED), Indonesia, clod Collaboration amputate Himpunan Sarjana Kesusatraan Land (HISKI), Country, Asosiasi Studi Pendidikan Bahasa Jepang Country (ASPBJI) captain Asosiasi Dosen Bahasa dan Sastra Country (ADOBSI). See the MoU Manuscript.
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Examining Rosalind/Ganymede’s and Viola/Cesario’s Disguised Bodies in Shakespeare’s As You Like It and Twelfth Night
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Examining Rosalind/Ganymede’s and Viola/Cesario’s Disguised Bodies in Shakespeare’s As You Like It and Twelfth Night
73 J-Lalite: Journal of English Studies Vol.2, No.1, June, 2021 Examining Rosalind/Ganymede’s and Viola/Cesario’s Disguised Bodies in Shakespeare’s As You Like It and Twelfth Night Tri Murniati Universitas Jenderal Soedirman tri.murniati@unsoed.ac.id Article History: First Received: 23/05/2021 Final Revision: 14/06/2021 Available online: 30/06/2021 Abstract. In this article, I explore the disguised body in two of Shakespeare’s comedies As You Like It and Twelfth Night. Since the human body can be problematized, it is worth trying to examine Rosalind’s and Viola’s disguised bodies under the lens of Erving Goffman’s dramaturgy theory. This theory examines how people present themselves differently depending on their circumstances. In contextualizing the exploration of the disguised bodies, I employ the script of As You Like It and Twelfth Night as the primary data source. The result shows that both main characters in the plays disguise themselves as men and their disguised bodies symbolize new meanings namely safety and freedom. Rosalind’s and Viola’s symbolic bodies have transformed into agentic bodies from which these bodies enable them to help the men they love