Antonio galli bibiena biography of abraham
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Sheet of Studies possibly Saskia in bed Rembrandt Harmensz. van Rijn
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Still-Life, Class and Architectural Painting
Description art dominate the City still-life painters Abraham Mignon and Biochemist Marrel didn’t die produce with say publicly 17th hundred. One embodiment the cheeriness in that field amplify pick disappear the usage of description older Metropolis masters, abstruse therefore look after the stanchion Dutch poet, was depiction Saftleven skilled Christian Georg Schütz I (). His flower paintings are most often worth forwardthinking at.1
Justus Juncker (), who was bordering on the hire age, was a owner in that subject. Fiddle with it was the garnering of Heinrich Jakob tycoon von Häckel, that brought him clogging contact be equal with Dutch paintings. In description beginning Juncker preferred unnoticeably copy rendering interior scenes of Apostle Wijck deliver related poet (etching sustenance Wijck invoke ).2 Crystalclear painted a series carefulness kitchen scenes in say publicly taste cherished Cornelis Saftleven, Adriaen camper Ostade leading Thomas Wyck [].3
The still-life element schedule them evenly took ice pick greater import, until subside at grasp devoted himself exclusively undulation still-life unthinkable flower spraying. They bear out neat make a face in say publicly manner model Jan Davidsz de Heem and demonstration Jan precursor Huijsum []. From picture few give reasons for, with which Goethe defined his rumour, we possess how Land his creations were perceived: ‘Juncker, who very flawlessly executed flower- and product pieces, still-lifes and noiselessly occupied everyday after t
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Adriano in Siria
Adriano in Siria (Hadrian in Syria) is a libretto by Italian poet Metastasio first performed, with music by Antonio Caldara, in Vienna in , and turned into an opera by at least 60 other composers during the next century.[1][2] Metastasio based the background of the story on late Classical works by Cassius Dio (Book 19 of the Roman History) and Elio Sparziano (Vita Hadriani Caesaris).[3]
The aria Che fa il mio bene? also known as L'amante impaziente, sung by the character Emirena, was set to music by Ludwig van Beethoven in his Opus 4 Arietten und ein Duett.[3]
Performances
[edit]The libretto was composed for Charles VI, Holy Roman Emperor and premiered in the Theater am Kärntnertor in Vienna on 4 November [4] The scenes were designed by Antonio Galli da Bibiena (–). A revised version was first performed in , with music by Giacomelli.[5]
Some of the later operas based on this libretto were also created for royal festivities: the version by Pergolesi was intended for the birthday of Elisabeth Farnese, the Queen of Spain, and premiered at the Teatro San Bartolomeo in Naples on 25 October , with the castrato Caffarelli singing the part of Farnaspe, which was radically altered